Artist Stacey Kent Dreamsville Jazz Music Vocals Product Type Compact

Track Title. 1 Little Girl Blue. 2 When Your Lover Has Gone. 3 Dreamsville. 4 You Are There. 5 Under A Blanket Of Blue. 6 Hushabye Mountain. 7 Isn’t It A Pity. 8 Polka Dots & Moonbeams. 9 You’re Looking At Me. 10 Violets For You Furs. 11 I’ve Got A Crush On You. 12 Thanks For The Memory. Vocalist Stacey Kent may or may not be “the greatest ballad singer in half a century,” as her PR claims, but her straightforward renditions of these by-request ballads are not at all generic. What makes them consistently delightful is her unique sound and delivery. There’s a certain brassiness, a trumpet-like pointedness, in her voice, as well as a host of endearing idiosyncrasies. Listen to her pronounce the word “idea” in George and Ira Gershwin’s “Isn’t It a Pity?” Or deliver these remarkable lyrics from the same song: “What joys untasted!/You, reading Heine/Me, somewhere in China.” And later, “My nights were sour, spent with Schopenhauer.” Kent knows how to make every tune fit her own musical persona. Dreamsville includes a number of seldom-heard gems, particularly “You Are There” by Johnny Mandel and Dave Frishberg, “You’re Looking at Me” by Bobby Troup, and the ever-stunning title track by Henry Mancini. She also presents perennial favorites like “Polka Dots and Moonbeams” and “Thanks for the Memory” (the latter not exactly a ballad). And although this is Kent’s hour all the way, her band provides expert backing and more than a few surprises. The singer’s husband, Jim Tomlinson, takes a break from tenor sax to play a sumptuous clarinet solo on “Polka Dots.” And in the midst of Rodgers & Hart’s “Little Girl Blue,” pianist David Newton, bassist Simon Thorpe, and drummer Jasper Kviberg fall away, entering again only after Tomlinson and Colin Oxley perform a hushed tenor/guitar duet chorus. ~ David R. Adler, All Music Guide.

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