Track Title. 1 Cake & Eat It Too. 2 Restart. 3 All Matter. 4 Flying. 5 Levels. 6 Little One. 7 Move On. 8 Robots. 9 The Dollar. 10 Who Are You. 11 Think It Over. At the major-label department of artist grievances, Bilal can take a number and wait in line until he decomposes. Though his career was placed on a worn path, the fact that he joined the land of the leaked, shelved, and dropped borders on tragic. When he debuted in 2001, he was the one for whom the neo-soul tag seemed most limiting, as he was more ahead of his time than a throwback. Elements of his first album, 1st Born Second — like the bold, otherworldly vocals and askew Mike City and Jay productions — presaged the left-field R&B that bloomed later in the decade. Love for Sale, issued on promo vinyl, filched online by a portion of Bilal s justifiably insatiable following, and subsequently mothballed by Universal, would have been emblematic of that development. Several years later, the singer, songwriter, and keyboardist finds himself on the sympathetic Plug Research, working with Steve McKie (who co-produces seven of 11 songs and is on most of the remainder in some capacity), fellow producers Shafiq Husayn of Sa-Ra, Nottz, Conley Tone Whitfield, and 88 Keys, and a number of session musicians who lend most of the content a full-band sound. It s hard to listen to his first album for the independent label without imagining the handful of albums he could have released between 2004 and 2009. That is because it is a substantial leap from Love for Sale — halting, even for rabid fans who snapped up each collaboration and compilation track during the nine-year wait for the second commercially released album. Throughout, Bilal simultaneously sounds as if he is singing for his life and does not give a damn about whether he is spared or not, and it sa nonstop non-party.